A Guide to 1616 / arita japan: TY Standard, S&B Colour Porcelain and MANZ Contour

1616 / arita japan brings more than four centuries of Arita porcelain-making knowledge into contemporary daily life. Rather than reproducing the decorative language traditionally associated with Arita ware, the brand works with designers from Japan and Europe to explore how porcelain can respond to the way we eat, drink and live today.

At JDV, our 1616 / arita japan collection centres on three particularly different expressions of this approach: TY Standard by Teruhiro Yanagihara, S&B Colour Porcelain by Scholten & Baijings, and MANZ Contour by Richard Manz.

They share the same foundation in Arita, but arrive at the table from very different directions.

TY Standard porcelain tableware by 1616 arita japan with dessert
S&B Colour Porcelain cups by 1616 arita japan on a metal tray

MANZ Contour — The Vessel Reduced to Proportion

MANZ Contour takes a more concentrated approach.

The collection is based on cup designs by Danish ceramicist Richard Manz and brings Scandinavian principles of reduction and proportion together with Arita porcelain craftsmanship.

Rather than forming a broad dinnerware system, MANZ Contour focuses on the vessel itself: the transition from rim to body, the balance of its volume, the relationship between glazed and more natural surfaces, and the way the cup sits in the hand.

At JDV, we carry the MANZ Contour Tea Cup and MANZ Contour Hojicha Cup. Their character comes from details that are easy to overlook at first glance but become more noticeable through repeated use.

MANZ therefore feels very different from TY and S&B.

TY asks how tableware can support a wide range of everyday meals.

S&B asks how colour can participate in the table.

MANZ asks a more focused question: What makes a single vessel feel right to use?

TY Standard porcelain plate by 1616 / arita japan in an everyday table setting
MANZ Contour porcelain vessels in a ceramics workshop
S&B Colour Porcelain cup by 1616 arita japan

Arita Porcelain for Contemporary Daily Life

What connects these collections is not a single visual style, but the manufacturing knowledge behind them.

Arita has been producing porcelain for more than four centuries. 1616 / arita japan uses that history as a foundation rather than as a fixed aesthetic language, allowing different designers to work with porcelain through form, colour, material and proportion.

That is also why the pieces can move beyond a specifically Japanese table setting.

A TY Standard Palace Plate can hold toast, pasta or rice. An S&B Colour Porcelain Mug or S&B Colour Porcelain Plate can sit beside stainless steel, clear glass or other ceramics. MANZ can be used for Japanese tea, coffee or any drink that suits its scale.

The tradition remains present in the material and the making, while the use belongs to the present.

1616 / arita japan porcelain arranged in a contemporary table setting

Building a 1616 / arita japan Table Over Time

A table does not need to be completed at once.

One of the strengths of 1616 / arita japan is that the collections can be introduced gradually and mixed with objects already at home.

TY Standard can provide a neutral foundation through plates and bowls. S&B can bring colour through a cup, side dish or larger serving piece. MANZ can exist almost independently as a favourite drinking vessel.

This also allows the table to remain personal rather than overly coordinated.

At JDV, we see 1616 / arita japan as tableware designed to be lived with rather than simply displayed: objects that can move between meals, rooms and routines while retaining the precision of Arita porcelain.